Friday, April 7, 2023

Flashback to 2001!

 


Sailor Mike Mizgalski sent me these pics of flyers from some of my first dance improv classes back in 2001. I'm pretty sure I first taught Adventures in the Groove a little before this, at one of Melinda Comeau's Nevada bus trips. However, these flyers were my first attempt at promoting the class, which I had been developing for a few years at that point. 

Maybe I'm misremembering, because now that I think back to 2001, and remember September 11 it makes me think this might have been the trial run for the class I taught in Nevada. I guess memories are triggering other memories. 

These pics bring back a few memories, like watching someone else's improv for Lindy Hoppers class and noting what was missing. And messy attempts to unlock related ideas that I tried on the road, at workshops at Skidmore and Carnegie Mellon. 

Anyway, Tip and Mike were kind enough to let me give the class a shot at the Swing Pit - the original spot at Domenico's in Pasadena. Guess I'm just gonna flash back for a bit.






Tuesday, April 4, 2023

Fizz Beyond the Basics STYLE CLASS - Week 3 Summary

Here's the recap email that I just sent to our students, after the three week class on STYLE that I taught with Ana Christian at Fizz:



Hey Student,


Our three week Beyond the Basics series on STYLE is over. You owe homework to no one but yourself! We hope you have gotten something useful from the class and that you continue to explore and grow. There’s a recap of the class below, in case there’s anything you missed or would like to remember.


Here’s the recap of the three week STYLE series:

WEEK ONE: Essential Lindy Hop TECHNIQUE

We focused on sound Lindy Hop mechanics - fundamental leading and following technique, though possibly different from what you’ve learned elsewhere. 

The leading skills - placement of weight, clarity of connection from core to core, body leading.

The following skills - continuance of motion (keep moving until the end of the line), clarity of connection from core to core, killing anticipation (being okay NOT walking forward and just dancing in place)

Everyone was exposed to the fundamentals of leading and following, both sides. We hope that getting a feel for both roles helps with whichever you prefer to focus on. We didn’t present much in terms of style. However the foundation of style starts with sound technique.


HW playlist: https://youtube.com/playlist?list=PLqLKBNesVXgh-zPTnNolgoLk081YT11x6


WEEK TWO: Dancers get to SHINE!

This week we looked at the idea of a SHINE STEP, which is a move designed to show one’s self off! We asked at the beginning what STYLE means in the context of dance.

We did a quick exercise about keeping one’s face up. We split into halves and each half did as much shim sham as they could muster. The other group observed. The performing group was prompted at first to perform staring at the ground, and then with their faces above eye-level. The observers uniformly remarked that KEEPING YOUR FACE UP makes a huge difference in whether or not they people can see you.

Then we learned two shine steps - First a FREE SPIN for the leads, working from weight placement and core connection and adding an element of balance. We demonstrated a SHOULDER TWIST for the leads which led to an over-rotation for the follows, and that evolved into showing a variety of SWITCHES to follow. 

Our discussion included questions of what to do while your partner is having a shine moment. A suggestion - be their hype-person and cheer them on, help your partner shine even brighter!

We closed by returning to the question of STYLE. We fielded a lot of great answers. Neil summarized: Style can be the expression of your personality through the dance.


HW playlist: https://youtube.com/playlist?list=PLqLKBNesVXggnZbAfJ0Uuxp-D4mYXQ2g5


WEEK THREE: Self-assessment, making CHOICES and a few variations

On week three, we asked folks to bring cameras. We broke up into pods to shoot each other dancing. Everyone got about a video of about four swingouts, focusing on them. Then we spent time watching the videos and offering a quick self-assessment. First - what’s something you LIKE about your dancing. Second - what’s something you would like to adjust. 


(Neil adds - being able to find something positive to say about yourself can be hard. When you find something, HOLD ON TO IT!)


Then we shifted the pods and tried a new exercise, still with the cameras:

Four swingouts, but before dancing, the follow’s camera-person whispered a body part to the follow and the follow would find some way to accent or stylize with that body part, that they could repeat four times. On swingouts three and four, the leads would pick up and try to mimic the follow’s choice. 

We then talked about how creativity sometimes comes from somewhere else. You can be inspired in the moment by what you see, and especially by your partner!

Finally we split up to learn some swingout variations. Ana taught a few simple variations, kick-ball-changes, follow swivels, bootie bumps. Neil taught a harder footwork variation which involved tap steps (or kicks if the tap was too much), and really messing with which foot is doing the standing.

Finally, we came back to field thoughts on what everyone got, and everyone chose things they’d like to continue working on! Neil also established an idea: if you see someone doing something cool, CHEER for them!

HW: watch videos of yourself, self-assess (remember to find things that you like and that you’d like to adjust) and keep playing with it! 

You’re more than welcome to reach out to either of us, feel free to ask us for dances.


In closing, it has been an honor to teach you all, for as long as you were able to be with us. We hope you’ll continue to explore and find inspiration in each other and yourself. Have fun and never forget to GO FOR IT!


Sincerely,

Ana and Neil


***


Thanks to Ana for teaching with me and rolling with the punches. Thanks to all of the students who came in and found some inspiration! 

Wednesday, April 22, 2020

Bobby Mcgee's & Southern California Swing Legends

My old friend Kasey Buharie recently gave me permission to share her video archive to YouTube. It's kind of a process to get all the details and info up.  I'm planning to release them over time. All the released videos will go up in this playlist:

https://www.youtube.com/playlist?list=PLqLKBNesVXgh2mLcaWnP2DkYWvErZ5Eg4

So far a few clips from Bobby McGee's including our Southern California legends and some of the "kids." I'm hoping to get more onto the list soon so please keep looking out.

Thanks to Jackie Kimmel, Andrew Selzer and Maricela Fajardo for their help with the project.

Sunday, December 10, 2017

Lineage - the one who kept us together - Holly Dumaux Ginsburg




I was saddened to learn earlier today that my old friend Holly Dumaux Ginsburg passed away suddenly this morning near her home in Palos Verdes. All of my previous Lineage posts pay respect to dancers from earlier generations. Holly has earned her spot in the family of lindy hoppers who we should remember, even though we only started dancing within days of each other.

Holly was witness to my own earliest days of exploring the lead/follow dynamic. We were in the first bunch of students taking private lessons with Erik Robeson & Sylvia Skylar, right before the phrase Hollywood Style popped up. This was that period sometimes called the Style Wars, more about which some other time.

She more than once credited me with making leading and following work for her. I'll take the compliment, though I'd be remiss if I didn't note how much hard work, blood, sweat, tears and LOVE Holly put into the dance with her then partner Tip West.

Tip & Holly were among the crew of young dancers who spent so many Sundays with the old timers at Bobby McGee's around the turn of the century. As far as I'm concerned they're the dancers who really understood Hal Takier's lessons on how to do the Merry Go-Round. That was one of their signature moves, and I know how important it was to them to get it right.



And these two were up in the top of the competition all the time. I remember watching a full house at the Palladium for one of the early Camp Hollywood events and feeling like the roof exploded when they landed one of their stunts.

But if it was only for collecting moves and competing, there were so many of us doing that. Holly was a mother-figure to us, then the young dancers. And while the world was looking at Tip & Holly as rock stars, to us in Los Angeles, they were family.

So many weekends spent at Holly's condo in Pasadena, watching VHS footage we collected, or going over steps together. Holly made sure everyone felt welcome. I'm sure she felt that we were all kin. She was one to keep us together.

And though I haven't seen her for many years, many memories are flooding back. I'm grateful to have spent so much time with Holly and hope you'll find some time to remember her yourself.

Friday, August 25, 2017

Alive & Kicking -> Feelings


The wonderful documentary Alive & Kicking is now available on Netflix. Everyone should watch it.

It makes me incredibly homesick.

http://www.magpictures.com/aliveandkicking/


Thursday, February 27, 2014

How to Fake it 'Til You Make it

It has been over a year since I left Los Angeles. I haven't taught at LindyGroove in all that time. Still I don't have the heart to build a new blog or even to rename this one. I hope you don't mind. I'm in Chicago now and not nearly as ubiquitous as I was in Los Angeles or Kansas City. Focused on other things I guess.



I was talking to a young dancer the other night, a beginner who'd maybe started in December and with whom I've had some good conversations. I remember the day I met him, how he was still putting the Lindy Hop basic together. Since then he's had some difficulty, especially since he's completely terrified of getting on the dance floor, terrified to ask people to dance with him. He's been coming out regularly for months but only dancing three times a night, if even that much. I remember giving him my standard beginner homework assignment - ask ten people to dance, at least five of whom should be strangers. He remembered that he had to ask three, and maybe only on that one night. I know that it must still be extremely hard for him.

So here's a rant about confidence. These are a few stories which I remember fondly. Maybe one of them will resonate with you.

The Math Student

Outside of dance, I work a lot on my students' confidence. As a test prep tutor, I've heard the worst that people can think of themselves. People really take their own math histories to heart. With math, many students have very powerful and toxic self-esteem issues. It takes a large amount of trust, listening and meaningful guidance to help a student build beyond those deep, insidious feelings.

Once I had a math student who was getting Ds in class. After a few weeks of working on the basic skills, he was performing much better in practice. He was starting to develop the skills he needed. Still though, he was scoring Ds on his tests. It was starting to get to him.

I asked him what was different about taking a test in class vs. taking the practice tests before-hand. He wasn't really sure. In subsequent practices I asked him questions like "WHO solved this problem?" At first he wanted to give me credit. My response - "What did I actually do?" I think for the bulk of those problems, I only smiled and said "and what next?" He was forced to take credit for his own actions.

We had a talk after that. In order for him to perform well on his tests, he had to rewrite the messages he told himself about tests. Those messages were pretty standard - "I suck at math," "I hate taking tests," "this is too hard." He had to replace them with messages like "I solved that problem yesterday." "I have remember this material" and "I'm going to kick this test's ass!" I made sure his parents were okay with that last one.

His next test came back with a B. As long as I was in Los Angeles, I think he continued to get Bs, and hopefully has been doing fine since then.

She didn't realize that she was a beginner
A friend of mine who learned to dance in a smaller community told me that when she attended her first swing dance event she experienced an utter breakdown. She had never realized that she was a beginner. I wasn't there for that event, but I imagine her locking herself in her room and refusing to attend the dance. By the time I met her, that dance was a few weeks past and she was ready to explore swing dancing again.

We all hung out in a small group of friends, with whom we started organizing events, having meetings and such. We all got to spend a lot of time together. I always saw this friend as the heartbeat of our group. She kept us together and feeling good about ourselves. So it always surprised me to hear that she was so gripped with fear.

There was a swing event in another town and a group of us took the road trip. And on the opening night of the dance my friend was starting to feel anxiety. We sat and talked for a bit. She said she had fear that people would judge her. I told her what I'd noticed about her since meeting her only months before:

"Everyone LOVES you!"

It was true. Every time we had a meeting in public, she was recognized by someone she had worked with in her professional life or and old friend or... They were always filled with joy to run into her. And she was just her kind, lovely, beautiful self.

If someone was willing to judge her based on three minutes of dancing then they weren't worth her time. That weekend went pretty well for her.

Lessons from a Game Shows Champion
I've personally competed on and won three game shows. There has been plenty of tooting my own horn so I'll bring it to this - what was it that made me able to do that? Yes, my head is freakishly big, but that's as much a burden as an aid. I like to think there's something else there.

I remember the last game show I did, Trivial Pursuit: America Plays. The shooting day was at least twelve  hours long and I was at the end of the list. I brought a game with me and hoped to engage my competitors. Otherwise we'd be bored out of our skulls, I think. So every once in a while we'd pull out a card from the game and just help each other guess. At least it kept me in play for the long day, right?

The day was really draining too. As we saw more and more competitors make it to the final round and lose their winnings, the group of us remaining started to get really demoralized. The audience was feeling the drag too. So I just kept playing the game, because it helped me stay playful.

Then my turn came up. Three of us were chosen, one of whom was a lady who said that she was terrified she'd have to play against me. I brushed that off. I went to make-up and said I was worried about the sweat on my fingers, like for pressing the buttons. The make-up artist suggested putting a light layer of something on my fingers and that really helped.

During the game I really had to play. I remember getting beat to the buzzer on an obscure one. I was glad to have whatever was on my fingers. In the end I had to put some effort toward feeling the light go on, the light which alerts us that we can press the buzzer. It paid off. I went to the final round. I won it, as I mentioned earlier. That's not the point.

The point is that if I hadn't kept myself at play and been honest about what I was nervous about I would have never had a chance.

I've often wanted to teach a class on how to win game shows. The skill set is valuable for folks in every field.

Fake it 'Til You Make it
I will often teach my dance improv students that one of the best ways to earn confidence is to "Fake it 'Til You Make it." You don't earn self-esteem by thinking about it. You earn it like you earn anything else, practice and play, and working the fabric of it until it fits.

I have other stories of confidence, but I think the post is long enough. I'm curious about your own stories of confidence. What have you got to teach me?

Saturday, January 11, 2014

Lineage - the Inspiration of Freda Wyckoff

My last post a few months ago was a meditation on the lineage of the Lindy Hop. There I mentioned Freda Angela Wyckoff having celebrated her 90th birthday. Earlier this week I received the news via Facebook that she was in intensive care. This morning I received the news that she passed away from heart failure last night.

Morgan Day dubbed her the Queen of the Rock & Roll Lindy era. I think to many of us (including Morgan) she was much more than that.


Here are a couple of her memorable videos from YouTube, dancing with George Christopherson:





I'm sad to say that none of the photos on my classic MySpace profile with me and Freda survived the transfer to new MySpace. There weren't many, but I remember a picture with Freda, Lila Desatoff and me, in which the ladies wore t-shirts with bikinis printed on them. Perhaps someone has a copy somewhere. There are plenty of photos of Freda surfacing on her Facebook profile at the moment. She clearly meant a lot to us.

Do I even remember the time she went from being the lady who danced in those clips to being a person whom I knew and loved? Faintly perhaps. I'm not sure if it was my first or second time at Bobby McGee's. At that point I was still taking in those first whiffs of family, like being part of a thing that was more than a hobby. Freda wasn't alone in that sense, but she was a major part of that.

The thing I remember is that she loved us kids. She welcomed us with open arms, without reservation. I mainly remember lots of hugs. There was a lot of love in that woman. That's what I remember more than the dancing.

Here's the tribute that my friends at the Swing Pit made for her 90th birthday just a short while ago.

.

Watching this clip now I think it was Dave Frutos who put the word "Lineage" into my mind via this exact clip. It's a sadness for me that I wasn't there. I miss you all, my friends.

Here's a comment I wrote just minutes ago to a photo of Kim Clever and Freda from that same party: 

Hugs, Kim 
I miss Freda too. I had been thinking about her since I moved so far away. And I think that more than her dancing were the open arms with which she greeted us youngsters. 
And I hope you won't mind if I say I feel you embody that really well. So in some way, Freda lives on.

In memory of Freda I suggest that you find a way to hug someone at a dance this week. Just let them know they are welcome. Show someone some love.